Here’s a free Charlie Parker lick lesson and tutorial video.
I had a lot of fun shooting this one. Make sure you also scroll down for the notation of the lick and some quick tips.
Some Cool Things About this Lick
1. The lick starts on the “and of 1″. In general, jazz licks tend to start on the offbeat more than on downbeats. (Here’s another lick that also demonstrates this concept minor jazz lick.) (You can also check out this Miles Davis lesson for more phrasing tips)
2. I’m using expanded shell voicings in my left hand or Bud Powell chords.
3. Notice how after every ascending arpeggio Charlie Parker then immediately resolves by playing down the scale. This creates a really nice flow to his phrasing.
4. Over the I chord on beat 2 Charlie uses an enclosure (approach) pattern. He delays the resolution to the note Bb on beat by playing the notes C and A on beat 2. Approach patterns are a fantastic way to lengthen and extend your lines. Very bebop!
5. Charlie arpeggiates a descending Cmin7 chord on beat 3 and 4 of the 3rd bar…over the Bbmaj7. He eventually resolves down to the Bbmaj7 on bar 4. By doing this he has once again delayed his resolution and made the line much more interesting. Good jazz licks tend to have lots of forward motion and if you resolve to early the licks can get boring and predictable. Fortunately Charlie Parker was a master among masters and kept his line moving beautifully.
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