Clifford Brown Jazz Improvisation Lesson

Clifford Brown jazz lickI always tell my jazz students if they really want to learn jazz improvisation and master the bebop language then they need to go directly to the source.

They need to learn from people like Charlie Parker, Clifford Brown, Bud Powell, and Sonny Stitt.

So, in today’s jazz improvisation lesson we’re going to do just that! I’m going to teach you how to play a lick from the great jazz trumpeter Clifford Brown!

(Don’t worry you can learn this lick on any instrument. You don’t have to be a trumpet player.) (Video Lesson, Notation, & Tips Below…Keep Reading!)

Clifford’s Impact On Jazz History

Clifford sadly passed at the unbelievably young age of 25 years old. In a very short short period of time though Clifford quickly implanted his mark on jazz history.

Not only was he a phenomenal player but he was also a huge influence on legends like Freddie Hubbard, Lee Morgan among many others. Let’s let Clifford influence us now!  Let’s get started learning! 

Watch this video first and then scroll down for notation and more tips.

Jazz Improvsation lessons

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Tips To Help You Learn This Clifford Brown Lick

  • The 2 most important notes of a seventh chord are the 3rd in the 7th.  Take note how Clifford masterfully targets the super important relationship of the 7th resolving into 3rds on downbeats.
  • He does that leading into bar 2 on  (C to B) and bar 3 (F to E). This really outlines the harmony and makes the lick sound really inside the chord changes.
  • Clifford uses a device on beat 2 of the 3rd measure called an approach pattern.
  • An approach pattern is when you take a note (in this case the root of the Cmaj7 chord) and plays one chromatic note above the note, then one chromatic note below, before resolving to the note you were targeting in the first place.
  • This is an awesome way to really extend your jazz licks and get those long flowing lines.

I hope you’ve enjoyed this free jazz lesson! If you did please help promote jazz education by sharing this article on Facebook or Twitter.

I encourage you to also leave a comment below sharing what you’ve learned from this lick!

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This entry was posted in Approach Patterns, Approaches to Soloing, Improvisation, Jazz 101, Jazz Blog, Jazz Licks, Masters of Jazz and tagged , , . Bookmark the permalink.
  • Anita G. Houser

    I love this lick, and especially learning how to do the enclosure patterns! I’ve heard about this before, yet your explanation gave me a very clear understanding. I’m inspired to go listen to more of his recordings and learn more about him. Also, what is the first chord called that you used before the Dm7? (where you played F A C# E) Thanks!

    • http://www.freejazzlessons.com/ Steve Nixon (freejazzlessons)

      Thanks Anita. Yea, enclosure patterns are pretty sweet right?

      That chord is a rootless minor major 7 chord

      Dmin(maj7)

  • Victòria

    Thanks for your help!!!!

  • Rcody

    I am a would be saxophonist. I’m enjoying your lessons very much.  in Particular  the approach lessons.

    • http://www.freejazzlessons.com/ Steve Nixon (freejazzlessons)

      Thanks my friend. So happy to hear you’re having fun and getting enjoyment
      *
      *

  • Puri

    thanks steve…thanks to you now i can learn jazz in Papua New Guinea

    • http://www.freejazzlessons.com/ Steve Nixon (freejazzlessons)

      Awesome Puri. Thank you!

  • Oscar

    Hi Steve, could you tell me from which Clifford Brown record you took this lick? Thanks!